Brittany Howard and Shawn Everett discuss Nate Smith tracking "Goat Head".
Read the full interview HERE
Across more than 100 tracks, MEMPHIS captures Elvis from the earliest stages of his career at Sun Records/Memphis Recording Service to his final recordings in Graceland’s Jungle Room, with stops at other iconic studios such as American and...
AES Chicago Section June 2011 Meeting Notice Please forward this notice to interested friends and colleagues. Members and nonmembers are welcome. Not a member of the AES? For information about joining. The next meeting of the Chicago Section...
My friend, sts is the Program Director and an instructor at The Rock ’n’ Roll Camp for Girls. They’re currently building up their recording program, Rock Camp Studio and the "Recording Engineer Track" studies and are looking for...
Larry and I recently spent a few weeks in the UK doing some interviews for the mag that you'll be seeing soon. Over the weekend I left Larry in London to play some gigs in Oxford and Cornwall with my friends in Sea of Bees. One of the...
I just stumbled across an interview I forgot I did. Snarky answers and all. Man, I'm a jerk sometimes. All the time?
For those that couldn't make it, we'd like to report that the Tape Op Party held during SXSW at the Beauty Bar on March 19th, 2010 was a freaking blast. We had a wonderful set by the band Quasi, DJ sets by Ian McLagan, Rebecca Gates, Richard Barone...
Woodland is the name of Gillian Welch and David Rawling’s studio in Nashville, and it’s also the name of their new album. On Woodland, the duo continue to show their deep connection as collaborators. The album has a wide open sound that...
Below is a Guest Post from Jim Janik: Album Credits Are Just As Important As the Money We Make (maybe more so) by: Jim Janik Have you ever googled yourself? I have. In fact, I have to. Like many freelancers in the music industry, it's just one of...
Many Tape Op readers likely can’t imagine that issue #1 was Xeroxed and hand-folded 28 years ago, but it was. People may think of us as DIY, but there’s a long history of so many helping this magazine be its best, beginning with friends...
